Showing posts with label Joss Whedon. Show all posts
Showing posts with label Joss Whedon. Show all posts

Sunday, May 6, 2012

My Completely Biased Review of The Avengers

NOTE: While I've tried to keep things more or less spoiler free, I haven't gone out of my way to do so. So if you are worried about spoilers proceed with caution or stop reading altogether.

Let me start out by admitting that I'm a huge Joss Whedon fanboy. I've always loved his work from Buffy: The Vampire Slayer, Angel, Firefly; even the often misunderstood Dollhouse. And I've always wanted to see what Whedon could do with a big budget movie. So Whedon would have had to have failed pretty badly in order to disappoint me. With that caveat out of the way, I just have to say it: The Avengers is the best superhero movie ever!

The Avengers has pretty much everything you would expect from a superhero movie: great action set pieces; a great villain; and a slow, steady build up of tension to a great climactic scene. It also has all the elements of Joss Whedon's work: great rapid-fire dialog, wonderfully flawed characters, a shocking death of a popular secondary character, and the story of a group of misfits who come together to form a family. The plot itself is fairly simple. Thor's evil brother Loki is sent to Earth by powerful alien benefactors called The Chitauri who want him to steal a powerful artifact which will allow them to conquer the universe, starting with Earth. Loki does just that and Nick Fury must assemble The Avengers Magnificent Seven style. And we get a brief introduction to each of our heroes as they come together.

The Black Widow gets the classic Whedon treatment as Scarlett Johansson's character from Iron Man 2 is upgraded from hot chick with some kick-boxing skills to empowered ass-kicking machine with a dark past and impeccable comic timing. In fact, the humor of the film is so funny that it was sometimes difficult to hear some of the dialog over the laughter of the audience in the theater.

Hawkeye probably gets the least character development in this film but it is pretty clear that he is an every man who must hold his own against against superheros and demigods using only his courage and finely honed skills. Think Buffy's Xander Harris without all the teenage anxiety.

Captain America is lost in time. He feels like a relic and is without purpose in a strange new world. But he is ultimately a soldier first and when Nick Fury comes calling he eagerly prepares to fight in a war he doesn't understand.

Iron Man is of course Tony Stark and Tony Stark is of course Robert Downey Jr. If ever a writer was made to write dialog for Robert Downey Jr., it was Joss Whedon. Whedon's brand of witty, rapid-fire dialog was made for made for Downey's witty, rapid-fire delivery. It's a match made in heaven and it's hard not to smile when Downey is talking during this movie and he talks a lot.

The Hulk is a revelation in this movie. It is without  a doubt the single best representation of The Hulk on any screen since at least Bill Bixby's The Hulk TV series in the 1970's. And Mark Ruffalo's Hulk surpasses in Bixby's Hulk some ways—he's much funnier for example. The Hulk was something of a childhood hero of mine. I went through a stage as a child where I was full of petty, impotent rage and sorely wanted to be able to SMASH! the way The Hulk did. I think that it's safe to say the recent Marvel Hulk movies have been disappointing and it's nice to see a movie which not only does justice to The Hulk but where The Hulk actually steals most of the scenes that he is in.

Of course merely saying "The Hulk" tends to oversimplify matters as The Hulk is really two characters. There's the monster itself and Dr. Bruce Banner. And both characters are very compelling here. My nephew pointed out something very interesting to me following the movie; Mark Ruffalo actually looks like he could be a scientist much more so than previous Hulk actors Eric Bana and Edward Norton. And I think that he might have a point. Which naturally raises the question: Which of these gentlemen would you trust with your gamma rays?















Ultimately this is a superhero film and in the end good superhero films tend to be less about the hero's final triumph than they are about the hero's journey. And in this film, the story is mainly about how this group of misfit heroes comes together to fight a common foe. Many of the best moments come when the heroes are simply standing around bickering among themselves. And any movie can make a verbal argument between Tony Stark and Steve Rogers as exciting as a knock down, drag out fight between Iron Man, Thor, and Captain America is definitely doing something right.

Monday, February 2, 2009

Grindhouse Meets Dollhouse Meets...

Whedoninfo, which really needs to tone down on its web ads, has a cool mash up promo video done in lurid Grindhouse style combining ads for both Dollhouse and Terminator: The Sarah Conner Chronicles. As a long time fan of Joss Whedon's TV shows, I'm looking forward to Dollhouse and have also enjoyed The Sarah Conner Chronicles. And I also enjoyed Grindhouse, so this video really hit the spot for me.

Sunday, August 3, 2008

Buffy the Vampire Slayer—The Animated Series

I was a huge fan of Buffy, The Vampire Slayer and was disappointed to hear that the planned animated series never happened. Here's the pilot to that show.


Friday, July 25, 2008

Another Chance to Watch Dr. Horrible



Dr. Horrible has now left the web and moved on to iTunes. But suppose you didn't get to see Joss Whedon's wacky musical and want to check it out before buying. Well WhedonTube, a video website dedicated to Whedon fandom still has the show up for your viewing pleasure.

Sunday, July 20, 2008

Dr. Horrible, The Early Years

Dr. Horrible has a fansite. It's full of videos reviewing and otherwise paying tribute to Joss Whedon's web show.

Saturday, July 19, 2008

Thoughts on Dr. Horrible (Now With Spoilers)



Joss Whedon's new web series Dr. Horrible's Sing-along Blog is a curious and bold experiment. Inspired in part by the success of web series like The Guild, it's probably the first web show by a "name" producer that isn't an ancillary show designed to promote an existing mainstream series.

As a producer who's had mixed success with movies and television, Joss Whedon is a pretty logical choice for experimenting with the web as a content platform. His work has always had a distinctive blend of genre spanning humor, action, and tragedy. Dr. Horrible is no different. Starring TV veteran Neil Patrick Harris as Billy (AKA Dr. Horrible) is video weblog of the rise of a wannabe supervillain. Not only is it jam packed with veterans of other Whedon series (it even includes two news anchors who are played by long-time Whedon writers David Fury and Marti Noxon); it is also full of the hallmarks of Whedon's work: great dialog, a sardonic sense of humor, and tragic twists and turns.

The show opens with a video weblog of Dr. Horrible answering his emails dropping hints about his latest nefarious scheme. But he's distracted by Penny, an adorable little redhead played by The Guild's Felicia Day (who also played Vi on Buffy, the Vampire Slayer) with a social conscience and a fondness for frozen yogurt. For example his attempt to hijack of a shipment of "Wonderflonium," the missing ingredient of a "Freeze Ray" which Dr. Horrible is building to stop time, is foiled by his nemesis superhero Captain Hammer when he stops to chat with Penny. I say "foiled" in a very loose sense because Dr. Horrible actually does manage to steal the Wonderflonium even as he inadvertently helps Penny and Hammer meet when Hammer "rescues" her from a runaway van by throwing her into a pile of garbage.

Even though he's a superhero, Captain Hammer is the real bad guy in this story. Played with smarmy glee by one of Whedon's favorite leading men, Nathan Fillion, Hammer is a total douchebag whose only superpower is the ability to hit things very hard. He's mostly into the superhero business because it's a convenient excuse to beat people up and hit on women. Nevertheless, Captain Hammer does do some good. He helps Penny get a new a building for the homeless shelter where she works. He also taunts Billy mercilessly when he finds out that he has a crush on Penny.

Since this is a Joss Whedon production, tragedy strikes at the least expected moment. It seems to me that there are two basic Whedon heroines, the bad girl with daddy issues who is at the front and center of the action and always triumphs in the end even in the face of multiple deaths. The other kind of Whedon heroine is the sweet girl whom usually plays second fiddle to the lead and either evolves into a bad girl or dies tragically. (One of the few reliefs of the quick end to Whedon's brilliant series Firefly is that we never got to see what Whedon had planned in store for Kaylee.) Penny is clearly the in the latter category and dies tragically when Dr. Horrible's death ray malfunctions and sends a hail of shrapnel in all directions.

This event is essentially the origin story for Dr. Horrible. While he existed before it happened, he was basically a joke. He was The Trio from Buffy, the Vampire Slayer -- a big nerd who wanted to be a supervillain because he felt alienated. But just as Warren, the leader of The Trio, turns becomes truly evil once he kills his ex-girlfriend Dr. Horrible similarly becomes truly evil when he kills Penny. This exploration of the origins of good and evil is the most interesting hallmark of Joss Whedon's work and Dr. Horrible pulls it off quite with a lot of panache.

Overall, Dr. Horrible's Sing-along Blog does a tremendous of blending comedy and tragedy in an appealing musical format.

Saturday, June 28, 2008

Will Dr. Horrible Be A Breakout Hit?

I've always been a huge fan of the work of Joss Whedon. So I've paid attention to Dr. Horrible's Sing-along Blog, a new web-based project of Whedon's which features Neil Patrick Harris and web show veteran Felicia Day. It also includes Nathan Fillion from Whedon's wonderful but short-lived series Firefly. And Day was also a minor character on Buffy: The Vampire Slayer, the show that made me a fan of Whedon's work in the first place.

But what prompted this post was a post on TV Squad asking if Dr. Horrible could become a big hit that transcends the web and achieves mainstream popularity. My first instinct is a resounding "no." I'm not saying that Dr. Horrible won't be good, I'm saying that it will be too weird, too geeky, and too cynical. Judging it just from the teaser video, I see a farce—probably a hilarious farce if Whedon's record is any indication but a farce never the less. While I don't think it will be a huge mainstream success, I'm definitely convinced that it will be a cult classic like just about everything that Joss Whedon has ever done.


Teaser from Dr. Horrible's Sing-Along Blog on Vimeo.